By Glen Cavaliero (auth.)
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Extra resources for A Reading of E. M. Forster
There is no indication that Forster himself realises that this scale of measurement, one which reserves the numinous for a department which the material cannot touch, is in fact that very attitude to spirituality which his fiction so forcefully rejects. The scale of measurement, one in terms of conquest and delimitation, is in fact a Wilcoxian scale. Forster's apparent inability to perceive this distinction prevents him from relating Dickinson's ethical attitudes to his own more visionary experience.
And then he spoke of the rain and the wind by which all things are changed, of the air through which all things live, and of the woods in which all things can be hidden. (III) The prose, though musical and skilfully orchestrated, is archaic: these are not the words of Tytler. And they are not really the words of Eustace either. If anyone's, they are the words of Leyland. But the escaping boy remains to haunt much of Forster's succeeding fiction, like an ultimately friendly demon. ) A substitution is effected: Eustace in one sense here becomes Gennaro, the' clumsy, impertinent fisher lad', who is the one person who understands what has happened.
But this tradition was very different from the radical insights of Wordsworth or Blake: it had become a matter of nostalgia, an alternative vision of reality, persuasive on its own terms merely, and more suggestive of escape than transformation. Ultimately it was the expression of a sense of guilt - as Henry James unforgettably demonstrated in 'The Tum of the Screw', the governess's' adult' fear of corruption being the force that raises the phantoms and thus injures, in one case fatally, the two children.
A Reading of E. M. Forster by Glen Cavaliero (auth.)