By Klaus Bruhn Jensen
A guide of Media and Communications study provides qualitative in addition to quantitative techniques to the research and interpretation of media, overlaying views from either the social sciences and the arts. The guide deals a complete overview of prior examine and a collection of instructions for the way to consider, plan, and perform reviews of media in several social and cultural contexts. Divided into sections at the heritage, systematics and pragmatics of study, and written by way of across the world stated experts in each one sector, the instruction manual may be a customary reference paintings for college kids and researchers.
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Additional resources for A Handbook of Media and Communication Research
Rhetorical ﬁgures of speech and various symbolic forms have entered into both the study and practice of much literature and other arts. Second, in addressing the audience through actio, a speaker draws on three means of persuasion: • ethos • logos • pathos. These focus, respectively, on the character of the speaker, the quality of his/her arguments, and the emotions which the speech is designed to evoke in the listeners. Importantly, the three means all appear in any act of communication, but in different measures and combinations, depending on the purpose and, hence, the genre of communication.
Poststructuralism – p. 33 Realism was the second main tradition of classic ﬁlm theory and, indeed, of much ﬁlm- the realist making. Siegfried Kracauer, who together with tradition André Bazin (Bazin 1967–71) deﬁned ﬁlmic realism, identiﬁed two tendencies in all ﬁlm production until 1960, namely realism and formalism (Kracauer 1960). Whereas formalism seemed to characterize early and silent ﬁlms, realism, with its longshots and longer-lasting shots, as well as its moving camera and unedited scenes, appeared to be dominant in many later works.
In philosophy, ‘the linguistic turn turn’ (Rorty 1967) denotes the effort, particularly among Anglo-American analytic philosophers since the early 1900s, to examine the structures and functions of language as a primary way of knowing the structures of reality as well as the conditions for knowing about them. ’). ’). The linguistic turn, in effect, signaled a somewhat technical and reductionist conception of language as a modularized interface with reality. The turn to the concrete and formal vehicles of knowledge posed problems as well as potentials.
A Handbook of Media and Communication Research by Klaus Bruhn Jensen